Daily Artwork — “The Amazon, Marie Laurencin, 1923”
Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique.
Click image to enlarge
Tags: analysis, art, critique, expressionism, Marie Laurencin, Metropolitan Museum of Art, painting, portrait
Daily Artwork — “The Shoemaker, Jacob Lawrence, 1945”
Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique.
Click image to enlarge
Tags: African American Art, analysis, art, critique, Jacob Lawrence, Metropolitan Museum of Art, modern art, painting, Social Realism
Daily Artwork — “Office in a Small City, Edward Hopper, 1953”
Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique.
1953 — Office in a Small City. Oil on Canvas. New Realism style. Edward Hopper (1882 – 1967). The Metropolitan Museum of Art, New York, NY.
Click image to enlarge
Tags: analysis, art, city, critique, Edward Hopper, labor, Metropolitan Museum of Art, modern art, New Realism, office, photos
Daily Artwork — “Young Woman with Ibis, Edgar Degas, 1860-62”
Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique.
1860-62 — Young Woman with Ibis. Oil on Canvas. Impressionism style. Edgar Degas (1834 – 1917). Metropolitan Museum of Art, New York City, NY, USA.
Click image to enlarge
Tags: analysis, art, critique, Edgar Degas, female portrait, impressionism, Metropolitan Museum of Art, painting, portrait, warm-ups, writing
Daily Artwork — “Water, Charles Sheeler, 1945”
Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique.
1945 — Water. Oil on Canvas. Percisionism style. Charles Sheeler (1883 – 1965). Metropolitan Museum of Art, New York, NY, USA.
Water depicts one of the power generators built by the Tennessee Valley Authority in the 1930s, when hydroelectric power was being distributed throughout the Tennessee River region of the United States…His interpretation of American industry was somewhat idealized: workers are never shown, and the machinery is pristine and gleaming, free of any dirt or smoke. (MMoA)
Click image to enlarge
Tags: analysis, art, Charles Sheeler, cityscape, critique, factories, industry, Metropolitan Museum of Art, New Deal, painting, percisionism, TVA, warm-ups, writing
